Drawing as a process-based act of thinking, the processing of sensory impressions and the manual formulation of thoughts is a recurring part of my artistic practice. The momentum of transience and holding on is characteristic of these works. Topics such as the practice of improvisation with materiality as a way of reproducing a time-based form of expression are of fundamental importance for his work. My dance practice is about the continuous creation of shapes and lines body with precise use of rhythm, direction, shape and balance, strength, flexibility and tension. The relation to the ground and the possibilities to align the body on it are crucial. I am currently working on the further development of a movement system with a focus on isolated movements and rotations around anchor points.