Sound material is created in the balance, sound and image combined with analog and digital technologies. A cycle regulates itself, feedback and magnetic fields made audible create sound surfaces. Original sound contrasts with elec- tronic hum, tape noises, voices, air noises, doubler effects and light glissandi. The composed sounds swing back and forth between modified, extended and rotating loudspeakers. Invisible structures of the room feel the world, a spectral communication takes place.
The work is characterized by a subjective approach to multimedia perception in the sense of the zeitgeist, in which our body image gains a central role in the creation of individual myths and gains enormous power. The experience of being a physical body in the world is very different from the visual impression we create for external observation. In the moment we act with our body, there is a translation of physical experience into a visual language. This parallelism is inherent in our being. It encourages the dialogue between the experiencing self, which is influenced by physical experience, and the narrative self, which is heavily influenced by our visual abilities. I use this parallelism as an artistic principle and explore the figurative potential for transformation using cross-media processes. In a residency at the Sutra House, I explore the space; in direct contact with architecture, in meditation, in dreams and in the virtual dimension. Using dance and movement as well as digital image generation, the body and architecture enter into a symbiotic, almost parasitic relationship. The body’s boundaries dissolve and merge with space and time to form a new rhythmic structure. Dizzying convulsive movement of the body and the gaze of distant realities intertwine and generate a strange labyrinth in which this world seems to be transposed into a dream world. Mystery, tension and the unsolved are in search of the magical precision of equilibria.
