This series emerges from digital movement drawings that are transferred into paper through laser cutting. The starting point consists of lines derived from the analysis of bodily movement—fragments of gestures, rotations, and transitions that overlap, multiply, and condense within digital space.
The laser does not replace the hand; it displaces it. The line is not drawn but cut. It lightly burns into the surface, leaving traces of heat, density, and material reaction. What initially exists as an immaterial vector file materializes as a precise intervention in paper.
In some works, the gesture remains isolated—a single fragment of movement in space. In others, the line condenses into repetitive structures, into almost textile-like fields of recurring body forms. Through scaling, rotation, and algorithmic repetition, a visual tension emerges between singularity and system.
The works move between drawing, relief, and object. They are flat and simultaneously spatial—minimal in intervention yet complex in their density.
At the core lies the question of how movement can be transformed through digital processes—and how this transformation manifests within physical material. The series investigates the translation of body into data, data into line, and line into space.
